TYPO By Mara
Upholstered office chair with 5-Spoke base with castors
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Typo is the Mara new chair designed by AMDL CIRCLE, the studio founded by Michele De Lucchi. Typo, as a typing error, almost an accidental mistake. Instead,
the nature of this piece of furniture is the result of a calibrated experimentation, and what, at first glance, might appear to be a flaw, is featuring its distinctive design.
Soft lines design the backrest and seat, both in wood, and counterpoise the vigorous angularity of the metal structure, shaping a dynamic silhouette, a synthesis of contrasts in terms of lines as well as of materials.
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TYPO By Mara
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Italcasa Furniture & Interior Design
32968 Woodward Ave,
Royal Oak, MI 48073
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Italcasa Design - Michigan Design Center
1700 Stutz Dr suite 30,
Troy, MI 48084
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Product details
Made possible by exploring innovative molded plywood techniques, Iskos-Berlin’s Soft Edge Chair blends strong curves with extreme lightness to create a three-dimensionality not usually possible with 2-D plywood.
Description
Typo is the Mara new chair designed by AMDL CIRCLE, the studio founded by Michele De Lucchi. Typo, as a typing error, almost an accidental mistake. Instead,
the nature of this piece of furniture is the result of a calibrated experimentation, and what, at first glance, might appear to be a flaw, is featuring its distinctive design.
Soft lines design the backrest and seat, both in wood, and counterpoise the vigorous angularity of the metal structure, shaping a dynamic silhouette, a synthesis of contrasts in terms of lines as well as of materials.
Description
Typo is the Mara new chair designed by AMDL CIRCLE, the studio founded by Michele De Lucchi. Typo, as a typing error, almost an accidental mistake. Instead,
the nature of this piece of furniture is the result of a calibrated experimentation, and what, at first glance, might appear to be a flaw, is featuring its distinctive design.
Soft lines design the backrest and seat, both in wood, and counterpoise the vigorous angularity of the metal structure, shaping a dynamic silhouette, a synthesis of contrasts in terms of lines as well as of materials.
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