Theo by Moroso
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Through a progressive reduction of decorative elements, the design of the Theo coffee table , designed by Patricia Urquiola for Moroso , reinterprets the thinking of the first avant-gardes of the twentieth century, referring in particular to the work of Theo van Doesburg, who in 1917, together with Piet Mondrian, founded the magazine De Stijl in Leiden, Holland .
If in her chromatic choice Patricia Urquiola abandons the use of pure colours in favour of pastel shades, the constructive approach appropriates the principles of neoplasticism by projecting a small architecture on a scale . The wall is thus transformed into a partition that breaks down a volume, separates it, reduces it to an abstract geometric sign and then recomposes it in a balanced search between full and empty , between positive and negative. The result is a new structure that, thanks to the glass top, allows the gaze and the light to cross the internal space, to penetrate it.
Theo is made of lacquered wood conglomerate in the colors Banana, Sky Grey, Sage, Oxido Red and Black. The top is in float glass with a thickness of 19 mm.
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Theo by Moroso
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Italcasa Furniture & Interior Design
32968 Woodward Ave,
Royal Oak, MI 48073
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Italcasa Design - Michigan Design Center
1700 Stutz Dr suite 30,
Troy, MI 48084
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Get In Touch With Us
Italcasa Furniture & Interior Design
Italcasa Design - Michigan Design Center
Product details
Made possible by exploring innovative molded plywood techniques, Iskos-Berlin’s Soft Edge Chair blends strong curves with extreme lightness to create a three-dimensionality not usually possible with 2-D plywood.
Description
Through a progressive reduction of decorative elements, the design of the Theo coffee table , designed by Patricia Urquiola for Moroso , reinterprets the thinking of the first avant-gardes of the twentieth century, referring in particular to the work of Theo van Doesburg, who in 1917, together with Piet Mondrian, founded the magazine De Stijl in Leiden, Holland .
If in her chromatic choice Patricia Urquiola abandons the use of pure colours in favour of pastel shades, the constructive approach appropriates the principles of neoplasticism by projecting a small architecture on a scale . The wall is thus transformed into a partition that breaks down a volume, separates it, reduces it to an abstract geometric sign and then recomposes it in a balanced search between full and empty , between positive and negative. The result is a new structure that, thanks to the glass top, allows the gaze and the light to cross the internal space, to penetrate it.
Theo is made of lacquered wood conglomerate in the colors Banana, Sky Grey, Sage, Oxido Red and Black. The top is in float glass with a thickness of 19 mm.
Description
Through a progressive reduction of decorative elements, the design of the Theo coffee table , designed by Patricia Urquiola for Moroso , reinterprets the thinking of the first avant-gardes of the twentieth century, referring in particular to the work of Theo van Doesburg, who in 1917, together with Piet Mondrian, founded the magazine De Stijl in Leiden, Holland .
If in her chromatic choice Patricia Urquiola abandons the use of pure colours in favour of pastel shades, the constructive approach appropriates the principles of neoplasticism by projecting a small architecture on a scale . The wall is thus transformed into a partition that breaks down a volume, separates it, reduces it to an abstract geometric sign and then recomposes it in a balanced search between full and empty , between positive and negative. The result is a new structure that, thanks to the glass top, allows the gaze and the light to cross the internal space, to penetrate it.
Theo is made of lacquered wood conglomerate in the colors Banana, Sky Grey, Sage, Oxido Red and Black. The top is in float glass with a thickness of 19 mm.
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