SENTEI By Ditre Italia
Round marble table with Lazy Susan
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The Sentei table designed by Paolo Grasselli was born from the desire to create a sculptural object that respects precise rules and geometries. Nature and artifice come together in a complex and simple element at the same time where the play of solids and voids allows for a sculptural but light, seemingly casual base. The section, although resulting from very precise mathematics, recalls the shape and inclination of the pruning of the branches. Three cylinders joined and arranged at 120° give life to the base which tends to open outwards and seems to arise from the floor just like the stump of a tree with three trunks arises from the earth.
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SENTEI By Ditre Italia
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Italcasa Furniture & Interior Design
32968 Woodward Ave,
Royal Oak, MI 48073
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Italcasa Design - Michigan Design Center
1700 Stutz Dr suite 30,
Troy, MI 48084
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Product details
Made possible by exploring innovative molded plywood techniques, Iskos-Berlin’s Soft Edge Chair blends strong curves with extreme lightness to create a three-dimensionality not usually possible with 2-D plywood.
Description
The Sentei table designed by Paolo Grasselli was born from the desire to create a sculptural object that respects precise rules and geometries. Nature and artifice come together in a complex and simple element at the same time where the play of solids and voids allows for a sculptural but light, seemingly casual base. The section, although resulting from very precise mathematics, recalls the shape and inclination of the pruning of the branches. Three cylinders joined and arranged at 120° give life to the base which tends to open outwards and seems to arise from the floor just like the stump of a tree with three trunks arises from the earth.
Description
The Sentei table designed by Paolo Grasselli was born from the desire to create a sculptural object that respects precise rules and geometries. Nature and artifice come together in a complex and simple element at the same time where the play of solids and voids allows for a sculptural but light, seemingly casual base. The section, although resulting from very precise mathematics, recalls the shape and inclination of the pruning of the branches. Three cylinders joined and arranged at 120° give life to the base which tends to open outwards and seems to arise from the floor just like the stump of a tree with three trunks arises from the earth.
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