Pascal by Oluce
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Alongside Sonora and Atollo, Pascal perfectly describes the Vico Magistretti’s design aesthetics: extremely pure geometric shapes, combined to create functional, symbolic compositions. In Pascal, the cone is enhanced by its repetition. At the end of the stem, supported by its metallic base, two overturned cones are positioned as if they were balancing one on top of the other, inside which the light sources are hosted.
However, the use of geometry does not represent an aesthetic subterfuge, it is used for a fundamental practical reason: while the upper cone hosts a LED circuit and acts as a “luminator”, the lower one hosts two E27 bulbs and transforms the inclined walls above into perfect reflectors, therefore resulting in ambient light being directed downwards. Its dual-circuit switches confirm the two-fold use of this lamp, making its functions entirely autonomous. In this way, by means of duplication, Pascal transforms a floor lamp emitting light upwards also into a reading lamp, without adding anything to the absoluteness of its design.
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Pascal by Oluce
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Italcasa Furniture & Interior Design
32968 Woodward Ave,
Royal Oak, MI 48073
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Italcasa Design - Michigan Design Center
1700 Stutz Dr suite 30,
Troy, MI 48084
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Get In Touch With Us
Italcasa Furniture & Interior Design
Italcasa Design - Michigan Design Center
Product details
Made possible by exploring innovative molded plywood techniques, Iskos-Berlin’s Soft Edge Chair blends strong curves with extreme lightness to create a three-dimensionality not usually possible with 2-D plywood.
Description
Alongside Sonora and Atollo, Pascal perfectly describes the Vico Magistretti’s design aesthetics: extremely pure geometric shapes, combined to create functional, symbolic compositions. In Pascal, the cone is enhanced by its repetition. At the end of the stem, supported by its metallic base, two overturned cones are positioned as if they were balancing one on top of the other, inside which the light sources are hosted.
However, the use of geometry does not represent an aesthetic subterfuge, it is used for a fundamental practical reason: while the upper cone hosts a LED circuit and acts as a “luminator”, the lower one hosts two E27 bulbs and transforms the inclined walls above into perfect reflectors, therefore resulting in ambient light being directed downwards. Its dual-circuit switches confirm the two-fold use of this lamp, making its functions entirely autonomous. In this way, by means of duplication, Pascal transforms a floor lamp emitting light upwards also into a reading lamp, without adding anything to the absoluteness of its design.
Description
Alongside Sonora and Atollo, Pascal perfectly describes the Vico Magistretti’s design aesthetics: extremely pure geometric shapes, combined to create functional, symbolic compositions. In Pascal, the cone is enhanced by its repetition. At the end of the stem, supported by its metallic base, two overturned cones are positioned as if they were balancing one on top of the other, inside which the light sources are hosted.
However, the use of geometry does not represent an aesthetic subterfuge, it is used for a fundamental practical reason: while the upper cone hosts a LED circuit and acts as a “luminator”, the lower one hosts two E27 bulbs and transforms the inclined walls above into perfect reflectors, therefore resulting in ambient light being directed downwards. Its dual-circuit switches confirm the two-fold use of this lamp, making its functions entirely autonomous. In this way, by means of duplication, Pascal transforms a floor lamp emitting light upwards also into a reading lamp, without adding anything to the absoluteness of its design.
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