MANGIAFUOCO By Moroso

Round wooden coffee table

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Mangiafuoco, or Fire-eater, a project by design duo Zanellato/ Bortotto for Moroso, an ordinary copper object coated with vitreous powders takes on an unexpected splendour and startling colours when fired at high temperatures, leaving the metal intact.
In the two round coffee tables, the broad enamelled surface is traversed by a variety of unpredictable shades resulting from the combining and overlapping of vitreous powders and strict observance of the necessary kiln time.
The result is a series of unique pieces – imperfect and therefore seductively exciting and attractive.

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MANGIAFUOCO By Moroso

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Italcasa Furniture & Interior Design

32968 Woodward Ave,
Royal Oak, MI 48073

Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.

shop@italcasa.us
248-220-4608

Italcasa Design - Michigan Design Center

1700 Stutz Dr suite 30,
Troy, MI 48084

Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.

shop@italcasa.us
248-220-4608

Product details

Made possible by exploring innovative molded plywood techniques, Iskos-Berlin’s Soft Edge Chair blends strong curves with extreme lightness to create a three-dimensionality not usually possible with 2-D plywood.

Description

Mangiafuoco, or Fire-eater, a project by design duo Zanellato/ Bortotto for Moroso, an ordinary copper object coated with vitreous powders takes on an unexpected splendour and startling colours when fired at high temperatures, leaving the metal intact.
In the two round coffee tables, the broad enamelled surface is traversed by a variety of unpredictable shades resulting from the combining and overlapping of vitreous powders and strict observance of the necessary kiln time.
The result is a series of unique pieces – imperfect and therefore seductively exciting and attractive.

Description

Mangiafuoco, or Fire-eater, a project by design duo Zanellato/ Bortotto for Moroso, an ordinary copper object coated with vitreous powders takes on an unexpected splendour and startling colours when fired at high temperatures, leaving the metal intact.
In the two round coffee tables, the broad enamelled surface is traversed by a variety of unpredictable shades resulting from the combining and overlapping of vitreous powders and strict observance of the necessary kiln time.
The result is a series of unique pieces – imperfect and therefore seductively exciting and attractive.

Moroso

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