Gemma, sofa

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The Gemma collection evolved around the idea of contrast and the experience that comes from the perception of a form. The sharp asymmetry of its three-dimensional geometry contrasts with the softness of its padding. Its faceted profile evokes both a precious stone and the typical compositions of fifteenth-century Italian tapestries. The collection is representative of the synergy between Libeskind’s complex geometries and Moroso’s well-known know-how.
Libeskind was deeply inspired by natural geological forms: crystals, gems, natural rock formations. For the Moroso collection, the design recalls the asymmetrical facets of gems and has a dual value: to create a sculpture for the home or office and to refer to Libeskind’s work.

Internal structure in polymer composite and fireproof polyurethane foam with wooden base. The Gemma collection is not removable.

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“Contemporary dining table – STRATOS Wood by Cattelan Italia with statement metal structure and refined wood finish”

Italcasa Furniture & Interior Design

32968 Woodward Ave,
Royal Oak, MI 48073

Monday - Friday 09:00 - 17:00

shop@italcasa.us
248-220-4608

“NASDAQ by Cattelan Italia – modern executive desk with sculptural wooden base and sleek floating desktop design”

Italcasa Design - Michigan Design Center

1700 Stutz Dr suite 30,
Troy, MI 48084

Monday - Friday 09:00 - 17:00

shop@italcasa.us
248-220-4608

Product details

Made possible by exploring innovative molded plywood techniques, Iskos-Berlin’s Soft Edge Chair blends strong curves with extreme lightness to create a three-dimensionality not usually possible with 2-D plywood.

Description

The Gemma collection evolved around the idea of contrast and the experience that comes from the perception of a form. The sharp asymmetry of its three-dimensional geometry contrasts with the softness of its padding. Its faceted profile evokes both a precious stone and the typical compositions of fifteenth-century Italian tapestries. The collection is representative of the synergy between Libeskind’s complex geometries and Moroso’s well-known know-how.
Libeskind was deeply inspired by natural geological forms: crystals, gems, natural rock formations. For the Moroso collection, the design recalls the asymmetrical facets of gems and has a dual value: to create a sculpture for the home or office and to refer to Libeskind’s work.

Internal structure in polymer composite and fireproof polyurethane foam with wooden base. The Gemma collection is not removable.

Description

The Gemma collection evolved around the idea of contrast and the experience that comes from the perception of a form. The sharp asymmetry of its three-dimensional geometry contrasts with the softness of its padding. Its faceted profile evokes both a precious stone and the typical compositions of fifteenth-century Italian tapestries. The collection is representative of the synergy between Libeskind’s complex geometries and Moroso’s well-known know-how.
Libeskind was deeply inspired by natural geological forms: crystals, gems, natural rock formations. For the Moroso collection, the design recalls the asymmetrical facets of gems and has a dual value: to create a sculpture for the home or office and to refer to Libeskind’s work.

Internal structure in polymer composite and fireproof polyurethane foam with wooden base. The Gemma collection is not removable.

Moroso