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Designed by Fabrice Berrux, the Avant-Garde chair represents the evolution of a precise formal and constructive vision: with its recognizable aesthetic, the end product has a well-defined and functional identity. The project explores the concept of visual lightness and suspension. The backrest and seat are made up of two distinct curved lines, joined by a metal tube while the space that separates them reduces the visual impact and generates a sense of balance and fluidity. However, this is not a simple aesthetic choice, but rather a design solution conceived for comfort: the structure is modelled on the human body, offering a welcoming and clearly balanced seat. Thanks to its strong visual identity and formal lightness, the Avant-Garde chair becomes a characterizing element in both private and public contexts, enhancing any space regardless of the design language that defines it.
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Avant-Garde Flesh by Bonaldo
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Italcasa Furniture & Interior Design
32968 Woodward Ave,
Royal Oak, MI 48073
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Italcasa Design - Michigan Design Center
1700 Stutz Dr suite 30,
Troy, MI 48084
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
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Italcasa Furniture & Interior Design

Italcasa Design - Michigan Design Center
Product details
Made possible by exploring innovative molded plywood techniques, Iskos-Berlin’s Soft Edge Chair blends strong curves with extreme lightness to create a three-dimensionality not usually possible with 2-D plywood.
Description
Designed by Fabrice Berrux, the Avant-Garde chair represents the evolution of a precise formal and constructive vision: with its recognizable aesthetic, the end product has a well-defined and functional identity. The project explores the concept of visual lightness and suspension. The backrest and seat are made up of two distinct curved lines, joined by a metal tube while the space that separates them reduces the visual impact and generates a sense of balance and fluidity. However, this is not a simple aesthetic choice, but rather a design solution conceived for comfort: the structure is modelled on the human body, offering a welcoming and clearly balanced seat. Thanks to its strong visual identity and formal lightness, the Avant-Garde chair becomes a characterizing element in both private and public contexts, enhancing any space regardless of the design language that defines it.
Description
Designed by Fabrice Berrux, the Avant-Garde chair represents the evolution of a precise formal and constructive vision: with its recognizable aesthetic, the end product has a well-defined and functional identity. The project explores the concept of visual lightness and suspension. The backrest and seat are made up of two distinct curved lines, joined by a metal tube while the space that separates them reduces the visual impact and generates a sense of balance and fluidity. However, this is not a simple aesthetic choice, but rather a design solution conceived for comfort: the structure is modelled on the human body, offering a welcoming and clearly balanced seat. Thanks to its strong visual identity and formal lightness, the Avant-Garde chair becomes a characterizing element in both private and public contexts, enhancing any space regardless of the design language that defines it.
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