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The inexhaustible possibilities of wood

Ron Arad confronts wood, shapes it, understands and controls its behavior, identifying in the work a point of transition within his personal formal research. Three Skin Chair, almost as if it were a tribute to the modernist work of Herbert Von Thaden, places itself in the tradition of the sculptural object produced using a single material. The result is surprising, in some ways it seems to deny the evidence perceived by the senses: there is no molding, no injection, no thermoplastic material. It is wood, only curved and painted wood.

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“Contemporary dining table – STRATOS Wood by Cattelan Italia with statement metal structure and refined wood finish”

Italcasa Furniture & Interior Design

32968 Woodward Ave,
Royal Oak, MI 48073

Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.

shop@italcasa.us
248-220-4608

Italcasa Design - Michigan Design Center

1700 Stutz Dr suite 30,
Troy, MI 48084

Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.

shop@italcasa.us
248-220-4608

Get In Touch With Us

Italcasa Furniture & Interior Design

32968 Woodward Ave,
Royal Oak, MI 48073

Monday - Friday 09:00 - 17:00

shop@italcasa.us
248-220-4608

“NASDAQ by Cattelan Italia – modern executive desk with sculptural wooden base and sleek floating desktop design”

Italcasa Design - Michigan Design Center

1700 Stutz Dr suite 30,
Troy, MI 48084

Monday - Friday 09:00 - 17:00

shop@italcasa.us
248-220-4608

Product details

Made possible by exploring innovative molded plywood techniques, Iskos-Berlin’s Soft Edge Chair blends strong curves with extreme lightness to create a three-dimensionality not usually possible with 2-D plywood.

Description

The inexhaustible possibilities of wood

Ron Arad confronts wood, shapes it, understands and controls its behavior, identifying in the work a point of transition within his personal formal research. Three Skin Chair, almost as if it were a tribute to the modernist work of Herbert Von Thaden, places itself in the tradition of the sculptural object produced using a single material. The result is surprising, in some ways it seems to deny the evidence perceived by the senses: there is no molding, no injection, no thermoplastic material. It is wood, only curved and painted wood.

Description

The inexhaustible possibilities of wood

Ron Arad confronts wood, shapes it, understands and controls its behavior, identifying in the work a point of transition within his personal formal research. Three Skin Chair, almost as if it were a tribute to the modernist work of Herbert Von Thaden, places itself in the tradition of the sculptural object produced using a single material. The result is surprising, in some ways it seems to deny the evidence perceived by the senses: there is no molding, no injection, no thermoplastic material. It is wood, only curved and painted wood.

Moroso