Kasumi by Bonaldo
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Clearly inspired by Japanese style, Kasumi is a new coffee table whose form calls to mind the outdoor stage used for Noh, the ancient traditional Japanese theatre. Structurally, the essential design of the Kasumi Japanese coffee table features two flat surfaces, a larger lower piece and a smaller offset upper section which are connected by a vertical supporting element whose sinuous shapes soften the geometric rigour of the two flat tops. Remaining faithful to its source of inspiration, Kasumi strikes the observer as a genuine stage on which to present objects.
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Kasumi by Bonaldo
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Italcasa Furniture & Interior Design
32968 Woodward Ave,
Royal Oak, MI 48073
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Italcasa Design - Michigan Design Center
1700 Stutz Dr suite 30,
Troy, MI 48084
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Get In Touch With Us
Italcasa Furniture & Interior Design
Italcasa Design - Michigan Design Center
Product details
Made possible by exploring innovative molded plywood techniques, Iskos-Berlin’s Soft Edge Chair blends strong curves with extreme lightness to create a three-dimensionality not usually possible with 2-D plywood.
Description
Clearly inspired by Japanese style, Kasumi is a new coffee table whose form calls to mind the outdoor stage used for Noh, the ancient traditional Japanese theatre. Structurally, the essential design of the Kasumi Japanese coffee table features two flat surfaces, a larger lower piece and a smaller offset upper section which are connected by a vertical supporting element whose sinuous shapes soften the geometric rigour of the two flat tops. Remaining faithful to its source of inspiration, Kasumi strikes the observer as a genuine stage on which to present objects.
Description
Clearly inspired by Japanese style, Kasumi is a new coffee table whose form calls to mind the outdoor stage used for Noh, the ancient traditional Japanese theatre. Structurally, the essential design of the Kasumi Japanese coffee table features two flat surfaces, a larger lower piece and a smaller offset upper section which are connected by a vertical supporting element whose sinuous shapes soften the geometric rigour of the two flat tops. Remaining faithful to its source of inspiration, Kasumi strikes the observer as a genuine stage on which to present objects.
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