Clarissa by Moroso

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A seat and its double: on one side it contains and protects, on the other it relaxes and welcomes. A striking ambivalence that artificially separates form and content, image and concept, which not by chance suggests with its name – hood – a double function. The hood is an ancient and at the same time urban symbol; it protects and frames the face but can hide, deny dialogue and comparison. The impact is strong, all played on the edge of contrast: the three dimensions seem to recite the two-dimensional geometry of the design, the chromatic overlapping does not divide but complements, the tension is not soothed but stabilized. Clarissa is a dynamic relaxation armchair, ready to spring but willing to rest, to the temporary suspension of activities. A combination of competition and collaboration, of provocation and aesthetics.

Resin structure covered in fireproof foam. Fixed base in painted steel.

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“Contemporary dining table – STRATOS Wood by Cattelan Italia with statement metal structure and refined wood finish”

Italcasa Furniture & Interior Design

32968 Woodward Ave,
Royal Oak, MI 48073

Monday - Friday 09:00 - 17:00

shop@italcasa.us
248-220-4608

“NASDAQ by Cattelan Italia – modern executive desk with sculptural wooden base and sleek floating desktop design”

Italcasa Design - Michigan Design Center

1700 Stutz Dr suite 30,
Troy, MI 48084

Monday - Friday 09:00 - 17:00

shop@italcasa.us
248-220-4608

Product details

Made possible by exploring innovative molded plywood techniques, Iskos-Berlin’s Soft Edge Chair blends strong curves with extreme lightness to create a three-dimensionality not usually possible with 2-D plywood.

Description

A seat and its double: on one side it contains and protects, on the other it relaxes and welcomes. A striking ambivalence that artificially separates form and content, image and concept, which not by chance suggests with its name – hood – a double function. The hood is an ancient and at the same time urban symbol; it protects and frames the face but can hide, deny dialogue and comparison. The impact is strong, all played on the edge of contrast: the three dimensions seem to recite the two-dimensional geometry of the design, the chromatic overlapping does not divide but complements, the tension is not soothed but stabilized. Clarissa is a dynamic relaxation armchair, ready to spring but willing to rest, to the temporary suspension of activities. A combination of competition and collaboration, of provocation and aesthetics.

Resin structure covered in fireproof foam. Fixed base in painted steel.

Description

A seat and its double: on one side it contains and protects, on the other it relaxes and welcomes. A striking ambivalence that artificially separates form and content, image and concept, which not by chance suggests with its name – hood – a double function. The hood is an ancient and at the same time urban symbol; it protects and frames the face but can hide, deny dialogue and comparison. The impact is strong, all played on the edge of contrast: the three dimensions seem to recite the two-dimensional geometry of the design, the chromatic overlapping does not divide but complements, the tension is not soothed but stabilized. Clarissa is a dynamic relaxation armchair, ready to spring but willing to rest, to the temporary suspension of activities. A combination of competition and collaboration, of provocation and aesthetics.

Resin structure covered in fireproof foam. Fixed base in painted steel.

Moroso