VICTORIA AND ALBERT By Moroso
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A continuous flow of curving lines, an image-form drawn without ever lifting the pencil off the paper. Originally a ‘doughnut’ which provided inspiration for a sculpture: squashed, and reworked, using irony to go beyond the usual approach to industrial design. Then the piece itself: the padding and sewn-to-measure upholstery over an inner fibreglass frame reveal the interaction between the technical and expressive merits of the design. Its never-ending lines are sensitive but strong, perfect consonance between surface and form, body and skin. The fabric reaches out into the space around it magnifying and reinforcing the materiality of the piece yet without interrupting or overpowering its fluidity.
Injected flame-retardant polyurethane foam over internal steel frame. Feet in varnished steel. Covers are not removable.
A continuous flow of curving lines, an image-form drawn without ever lifting the pencil off the paper. Originally a ‘doughnut’ which provided inspiration for a sculpture: squashed, and reworked, using irony to go beyond the usual approach to industrial design. Then the piece itself: the padding and sewn-to-measure upholstery over an inner fibreglass frame reveal the interaction between the technical and expressive merits of the design. Its never-ending lines are sensitive but strong, perfect consonance between surface and form, body and skin. The fabric reaches out into the space around it magnifying and reinforcing the materiality of the piece yet without interrupting or overpowering its fluidity.
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VICTORIA AND ALBERT By Moroso
Get In Touch With Us
Italcasa Furniture & Interior Design
32968 Woodward Ave,
Royal Oak, MI 48073
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Italcasa Design - Michigan Design Center
1700 Stutz Dr suite 30,
Troy, MI 48084
Mon - Fri 10 a.m. - 05 p.m.
Sat - Sun 11 a.m. - 04 p.m.
Product details
Made possible by exploring innovative molded plywood techniques, Iskos-Berlin’s Soft Edge Chair blends strong curves with extreme lightness to create a three-dimensionality not usually possible with 2-D plywood.
Description
A continuous flow of curving lines, an image-form drawn without ever lifting the pencil off the paper. Originally a ‘doughnut’ which provided inspiration for a sculpture: squashed, and reworked, using irony to go beyond the usual approach to industrial design. Then the piece itself: the padding and sewn-to-measure upholstery over an inner fibreglass frame reveal the interaction between the technical and expressive merits of the design. Its never-ending lines are sensitive but strong, perfect consonance between surface and form, body and skin. The fabric reaches out into the space around it magnifying and reinforcing the materiality of the piece yet without interrupting or overpowering its fluidity.
Injected flame-retardant polyurethane foam over internal steel frame. Feet in varnished steel. Covers are not removable.
A continuous flow of curving lines, an image-form drawn without ever lifting the pencil off the paper. Originally a ‘doughnut’ which provided inspiration for a sculpture: squashed, and reworked, using irony to go beyond the usual approach to industrial design. Then the piece itself: the padding and sewn-to-measure upholstery over an inner fibreglass frame reveal the interaction between the technical and expressive merits of the design. Its never-ending lines are sensitive but strong, perfect consonance between surface and form, body and skin. The fabric reaches out into the space around it magnifying and reinforcing the materiality of the piece yet without interrupting or overpowering its fluidity.
Description
A continuous flow of curving lines, an image-form drawn without ever lifting the pencil off the paper. Originally a ‘doughnut’ which provided inspiration for a sculpture: squashed, and reworked, using irony to go beyond the usual approach to industrial design. Then the piece itself: the padding and sewn-to-measure upholstery over an inner fibreglass frame reveal the interaction between the technical and expressive merits of the design. Its never-ending lines are sensitive but strong, perfect consonance between surface and form, body and skin. The fabric reaches out into the space around it magnifying and reinforcing the materiality of the piece yet without interrupting or overpowering its fluidity.
Injected flame-retardant polyurethane foam over internal steel frame. Feet in varnished steel. Covers are not removable.
A continuous flow of curving lines, an image-form drawn without ever lifting the pencil off the paper. Originally a ‘doughnut’ which provided inspiration for a sculpture: squashed, and reworked, using irony to go beyond the usual approach to industrial design. Then the piece itself: the padding and sewn-to-measure upholstery over an inner fibreglass frame reveal the interaction between the technical and expressive merits of the design. Its never-ending lines are sensitive but strong, perfect consonance between surface and form, body and skin. The fabric reaches out into the space around it magnifying and reinforcing the materiality of the piece yet without interrupting or overpowering its fluidity.
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